Skip to main content

How To Be A Heroine: Or What I've Learned From Reading Too Much by Samantha Ellis

I feel as if I could write a book subtitled "What I've Learned From Reading Too Much" except all my lessons would be culled from Greek mythology, the Babysitters' Club, the lives of British queens, crime mysteries, suspense thrillers and celebrity and entertainment gossip.  I first ran across How To Be A Heroine by Samantha Ellis in an ad in BookPage.  The title sounded intriguing and once I looked it up on Amazon, I was in for reading it.  It reminds me of the literacy autobiography writing assignment that I had in one of my English composition classes in college--except this is the literacy autobiography on steroids.

The premise of this book is that the author revisits the seminal texts that she read in her youth by examining the lessons and impressions of the novels that she had upon her first readings when she was younger.  Ellis has then re-read the novels as an adult specifically for the writing of her own book to see if the novels hold up to her original impressions and readings.  Each chapter is built around a theme and follows her life chronologically--starting with the novels and fairy tales that she read as a child and following through the novels and poetry she read as a teen and then a college student and so on.  In these early chapters Ellis' original reading of the novels is often through the lens of her childhood and the Iraqi Jewish cultural heritage of her community and upbringing.  More than once Ellis's identification with a particular heroine, character or story hinges on the otherness or outsider status of that character, which is often how Ellis felt growing up the daughter of Iraqi Jewish immigrants in London.

As the book goes on, more and more Ellis tries to use the lessons of these heroines as a map to the happiness and peace she seeks for her own life.  At first she is convinced that this happiness is dependent on finding Love (with a capital 'L') with The One.  In each chapter she tries on different heroines' lives, ever searching for the perfect fit and never quite finding it nor the answers for which she searches.  As her journey goes on, she comes to several realizations, the best of which is that she must be the heroine of her own story of which she alone is the writer.

If you are someone who reads too much who enjoys reading about other people reading too much (as I do sometimes), then this book is for you.

--Reviewed by Ms. Angie

Comments

Popular posts from this blog

In The Woods by Tana French

"What I warn you to remember is that I am a detective. Our relationship with the truth is fundamental, but cracked, refracting confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies ... and every variation on deception. The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely ... This is my job ... What I am telling you, before you begin my story, is this--two things: I crave truth. And I lie." opening lines of In The Woods chapter 1, pages 3-4 In The Woods by Tana French, an Irish writer, is an extremely well-written and well-crafted mystery novel. The downside is that this is French's debut novel, and her website (located at http://www.tanafrench.com/ ) does not off...

Broken by Karin Slaughter

Before I begin the formal review there are a few things I need to get off my chest in the wake of finishing this book; I'll do so without giving away too many (or any) spoilers. The OUTRAGE!: the identity of Detective Lena Adams' new beau; the low depths to which Grant County's interim chief has sunk and brought the police force down with him; agent Will Trent's wife, Angie's, sixth sense/nasty habit of reappearing in his life just when he's slipping away from her. Thank God for small miracles though because while Angie was certainly referred to during the book, the broad didn't make an appearance. One sign that I've become way too invested in these characters is that I'd like to employ John Connolly's odd pair of assassins, Louis and Angel, to contract out a hit on Angie; do you think Karin Slaughter and John Connolly could work out a special cross over? Hallelujah: Dr. Sara Linton and agent Will Trent are both back. There is no hallelujah fo...

Generation Kill by Evan Wright and One Bullet Away by Nathaniel Fick

Non-fiction books aren't really my thing; generally, this is how my relationship goes with non-fiction books: I see a really interesting one, I borrow it, I start to read it, and then I ditch it a chapter or two later when the dry, boring writing and non-existent plot fail to hook me. However, this a review of two non-fiction books that I read back to back after a five year old three article series that I dug up on the internet; it was written by Evan Wright and preceded his book Generation Kill , which is basically a book version of the article series that he wrote and published in Rolling Stone Magazine . Recently HBO adapted Generation Kill into a mini-series that ran sometime last year; I got the series on DVD and in the midst of watching it, I decided I wanted to get my hands on the book to read. In the meantime, I stumbled across One Bullet Away by Nathaniel Fick, the lieutenant of the platoon that Wright embedded with, and I read that book while I waited for Generation K...